- #Megaseg remote broadcast how to#
- #Megaseg remote broadcast professional#
- #Megaseg remote broadcast tv#
The Mackie ProFX8V2 comes with four mic preamps (on XLR connectors) with optional phantom voltage three additional stereo inputs (on 3/4-inch TRS connectors) and balanced outputs via XLR and 1/4-inch TRS connectors. On the output side, it has a stereo Program mixing bus, a Mix-Minus output, a Cue bus with internal Cue speaker, headphone outputs for the operator and a guest as well as monitor outs. The Henry Engineering SixMix has 10 inputs (two of which are mic level on XLR connectors) including an integral A/D + D/A digital audio USB computer interface. It also has two built-in compressors to better handle screaming announcers built-in EQ and balanced outputs (on XLR) with a USB port for getting audio in and out of a computer, which is great way to integrate pre-recorded interviews and game highlights. It�s an eight-channel, two-bus mixer with five mic preamps (on XLR connectors). You could also consider the Denon DN-408X. The Denon DN-408x has an intuitive layout that can be learned quickly. Main, FX and monitor outs are done via 1/4-inch TRS connectors. In addition, it has four stereo inputs (via 1/4-inch TRS) connectors. The Behringer Xenyx 1202FX comes with four mic preamps (on XLR connectors) one post-fader aux send per channel (which you could use to develop your headphone mix) and a three-band EQ per channel input. Not only will you need the program bus � sending audio back to the station � but you�ll need a bus that handles headphone communications as well. When adding communications links back to the station (or even another venue), having multiple busses becomes an absolute necessity. Mixers are another item of which there are dozens from which to choose. There are a myriad of such headset combos available, but to get you started, look at the Audio Technica BPHS1 (low price), the Beyerdynamic DT-290 MK ll (medium price) and the Sennheiser HMD-26 (higher price). The Audio-Technica BPHS1�an inexpensive option. Today, nearly all announcers use headsets that include a boom microphone. You�d have to take your �cues� off the air, of course, which means you can�t use a delay you need relatively good air monitor at the venue and it certainly limits what you can do for away games. This will get the job done � just like it has for the last 50 years � but it doesn�t leave any room for other remote features. Historically, a typical remote setup is a couple of inexpensive mics, stands and a single channel mixer, feeding an RPU transmitter that sends audio back to the station. This allows interactivity between the station and the remote venue � perfect for pre- and post-game shows. You should also consider higher-quality audio, full-duplex links back to the station. The Beyerdynamic DT290�a medium price option It isn�t hard to add sideline reporters and sideline microphones to your radio broadcast.
#Megaseg remote broadcast professional#
Amateur sports are pervasive on TV, and even though production values aren�t quite as high as professional sports, many of those elements are common.
#Megaseg remote broadcast tv#
If you have any interest in sports at all, then you know the typical features of a TV sports broadcast.
#Megaseg remote broadcast how to#
Therefore, we�re going to consider how to bump up the professionality and cool factor of your remote broadcasts, and we�re going to show you a great example of what can be done to maximize their impact. The summer Olympics may have also inspired you. It�s mid-September and the high school and college football seasons have already gotten off the ground. The Behringer 1202FX�s diminutive size makes it a great choice for a remote kit.
0 kommentar(er)
